![]() The sequenced wave motion of Love on a Real Train is simply sublime and defined Tangerine Dream as the undisputed Master of Visual Music. A title probably released from the Force Majeure sessions, just like Lana and its electric guitar sequence. Guido The Killer Pimp is a nice ballad with an acoustic guitar and a sequenced rhythm which increases and gets more rock with big riffs and waves of percussion's rolls. No Future (Get off the Babysitter) really sounds like Exit with its metallic percussions which click on pulsations whose sound shadows intensify the disturbing presence of reverberation's waves. Let's say it's the equivalent of a B side of a big commercial hit. Far from that! The Dream is Always the Same has a small island rhythm with a superb sequencer and a light synth that sticks a very average fluty melody. If Bob Seger and Phil Collins were popular, Tangerine Dream did not look penguin and amorphous. Nearly 20 minutes where the music of TD is measured with that of the great names of rock of the time. Electronic music sequenced in a lively pace of progressive, symphonic and commercial rock that flooded the radio waves at that time. Based on the same principle as Exit, the pieces are all short and very rhythmic. Among the 11 titles, 5 come from the Berlin trio. So, I will not talk about the other titles, even if I have a big crush for In The Air Tonight. O bviously, the purpose of the chronicle is the music by Tangerine Dream.
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